re-photo.co.uk Report : Visit Site


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    The main IP address: 217.160.123.55,Your server Germany,Karlsruhe ISP:1&1 Internet AG  TLD:uk CountryCode:DE

    The description :>re:photo is photographer peter marshall's site for his thoughts about his own photographs, about current issues in photography and for photography criticism. it links to his web sites 'my london dair...

    This report updates in 17-Jul-2018

Created Date:2007-05-22
Changed Date:2017-05-21

Technical data of the re-photo.co.uk


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Latitude: 49.004718780518
Longitude: 8.3858299255371
Country: Germany (DE)
City: Karlsruhe
Region: Baden-Wurttemberg
ISP: 1&1 Internet AG

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'rays' on photography and photographers stop the killing july 13th, 2018 i spend a lot of time at events wondering what i should photograph. of course there are people and situations that are visually attractive and it would generally not be sensible to miss these opportunities, but that isn’t enough. it can often even be quite misleading and unrepresentative of the event, though it’s often such images that get published, and what i think many photographers aim for to sell to newspapers. another type of image that seems often to get published are group photos, with large numbers of people holding a banner, taken frontally in the manner of team photographs – i often joke about putting someone in the middle holding the ball, though few find them funny. i suppose for small events these at least let you see how many were taking part, and local newspapers used to feel that showing more faces boosted sales, but when there is often a large group of photographers crowding to get around the centre spot i usually avoid it. my motivation for photographing events is to tell the story. and for me that very seldom can be done in a single image but requires a series of images. placards and banners are often very important in this, as to are gestures and expressions. at this protest, i tried to show something of the anger that people felt at the cold-blooded shooting of palestinian protesters by israeli snipers. things that are worth photographing aren’t always particularly photogenic, and it is often something of a challenge to make pictures that are visually attractive, clear and precise. i took a great many pictures, probably over a thousand, though at times there were very many of the same subject as i tried hard to ensure i had something close to what i wanted. photographing an event like this involves a huge number of decisions about where to be when and what to photograph – and on more technical matters such as focus, focal length and framing. i try to concentrate on these and take advantage of the automatic features of the camera to deal with as much as it can; though usually i like to chose where the focus is, i’m happy to let the camera actually auto-focus there, and to let auto-exposure get the exposure more or less correct. this was a large protest, with several thousand packing mainly in to a fairly small space, making movement through the crowd a little difficult. there was a small press area in front of the stage, but i chose not to use it for photographing the speakers as it was too close to them looking up from below. but the crowd perhaps meant i stood in that one place rather longer than i would have liked. i wondered briefly whether or not to photograph the counter-protest by half a dozen zionists a few yards away, and decided to do so – and you can see a few at the link below. there were many, many more jews in the protest ashamed of the actions of the israeli snipers following their orders to kill and maim unarmed protesters at a distance, shooting many in the back as they ran away, using bullets designed to expand and inflict maximum damage to those they did not kill. and as usual at such protests there were the anti-zionist jews with their message “judaism demands freedom for gaza and all palestine & forbids any jewish state” . here i’ve only posted a small and fairly random selection of the images that i took – and written very little about the actual protest. you can read more and see an unusually large number – around a hundred – of the pictures i made (edited down from perhaps a thousand) on my london diary at great march of return – stop the killing ______________________________________________________ there are no adverts on this site and it receives no sponsorship, and i like to keep it that way. but it does take a considerable amount of my time and thought, and if you enjoy reading it, a small donation – perhaps the cost of a beer – would be appreciated. my london diary : london photos : hull : river lea/lee valley : london’s industrial heritage all photographs on this and my other sites, unless otherwise stated, are taken by and copyright of peter marshall, and are available for reproduction or can be bought as prints. to order prints or reproduce images ________________________________________________________ posted in my own work , photo issues , political issues | no comments » pennies for the guy… july 12th, 2018 pennies for the guy who took the picture is the offer to photographers from national geographic fine art galleries (ngfa) revealed in the article is national geographic fine art a ripoff for photographers? published on petapixel. in it ken bower writes of how his initial reaction to having one of his landscape images selected to be sold by the ngfa turned sour when he found out more about how the ngfa sales programme works. the ngfa explained it to him, and you can read their explanation in the petapixel post. if ngfa sell the print for $1800, 10% of that amount goes to the national geographic creative agency – so in this case a miserly $180. that agency then gives half of their cut to the photographer, who ends up with $90 – just 5% of the price the buyer has paid. simple maths shows us that the ngfa itself takes 90% of the purchase price – in this case $1620. that’s 18 times as much as the photographer. and although ngfa increases the price of the prints as the edition – of 200 prints – sells, that ratio remains the same. if they sell the whole edition of 200, those pennies for the photographer would however add up to a substantial amount – if nothing like as substantial as that made by the ngfa. now i appreciate galleries have costs. in this case they are making the prints, running a web site, conducting the sales etc. i’ve sold a few prints through galleries, and their commissions have ranged from 20% to 35%, and a 50:50 split is not unusual. some i’m told even take a little more – but even the worst deals i’ve heard of leave the photographer with 40%, eight times what ngfa are offering. as bower points out, the ngfa seems to be “targeting photographers who have placed well in nat geo photo competitions or who are popular on the your shot community” for their sales, rather than the extremely professional and talented professionals whose work is published by national geographic – who would have a much better idea of the worth of their images. i’m not a great fan of commercial photo galleries, as regular readers will have noticed. with few exceptions i don’t feel they have the best interests of photographers or photography at the base of their activities. i still think and have often argued that the concept of limited editions is inimical to our medium and am unhappy at the fetishisation of the photographic print and in particular of the ‘original print’ that they foster. overall i think they are parasitical on photographers and photography, though there are a few i respect for how they have genuinely contributed to our knowledge and understanding of the medium’s history. but while buying prints from a commercial gallery, or better, from a photographer may at least sometimes be a sound investment as well as a pleasure to be enjoyed, it seems to me that the ngfa is essentially selling high price decor. i’m not dismissing bower and those who have signed up with them as photographers – his is certainly a decent landscape image – but those with cash to spare will buy it or images like it because it goes with their colour scheme – and the next time they have new interior decorators in, that picture will go out with the trash – or if they try to sell it they will almost certainly find its resale value is far less than they paid, possibly little if any more than the worth of the frame. as bower hints, essentially what is being sold are high-price posters. not printed by the photographer, the printing not overseen by the photographer, decisions about paper etc. not made by the photographer. an edition of 200 might almos

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Whois Information


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Domain name:
re-photo.co.uk

Registrant:
Peter Marshall

Registrant type:
UK Individual

Registrant's address:
31 Budebury Road
Staines
TW18 2AZ
United Kingdom

Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 10-Dec-2012

Registrar:
1 & 1 Internet SE [Tag = 1AND1]
URL: https://www.1and1.co.uk

Relevant dates:
Registered on: 22-May-2007
Expiry date: 22-May-2019
Last updated: 21-May-2017

Registration status:
Registered until expiry date.

Name servers:
ns59.1and1.co.uk 217.160.80.169 2001:08d8:00fe:0053:0000:d9a0:50a9:0100
ns60.1and1.co.uk 217.160.81.169 2001:08d8:00fe:0053:0000:d9a0:51a9:0100

WHOIS lookup made at 16:54:50 18-Nov-2017

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  REFERRER http://www.nominet.org.uk

  REGISTRAR Nominet UK

SERVERS

  SERVER co.uk.whois-servers.net

  ARGS re-photo.co.uk

  PORT 43

  TYPE domain

OWNER

  ORGANIZATION Peter Marshall

TYPE
UK Individual

ADDRESS
31 Budebury Road
Staines
TW18 2AZ
United Kingdom
Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 10-Dec-2012

DOMAIN

  SPONSOR 1 & 1 Internet SE [Tag = 1AND1]

  CREATED 2007-05-22

  CHANGED 2017-05-21

STATUS
Registered until expiry date.

NSERVER

  NS59.1AND1.CO.UK 217.160.80.169

  NS60.1AND1.CO.UK 217.160.81.169

  NAME re-photo.co.uk

DISCLAIMER
This WHOIS information is provided for free by Nominet UK the central registry
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Copyright Nominet UK 1996 - 2017.
You may not access the .uk WHOIS or use any data from it except as permitted
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repackaging, recompilation, redistribution or reuse (B) obscuring, removing
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